| e | e | a | a |
| e | e | C | C |
| e | e | B7 | B7 |
Usually we have learned new scales with patterns that don’t include open strings.
The harmonic minor scale with open strings is easier using open strings. Play both the red and blues dots. Can you guess what the red dots mean?
The red dots are the “roots” of the scale – they are the “E” notes. Because we are playing this scale as an E Harmonic Minor Scale, “E” is the root of the scale.
Letting strings ring in a solo is one way to add cool stuff to a solo. It also means you do not have to play fast because when you add more layers, the ears have to listen harder and it ends up feeling like something a lot more complicated than it really is.
For GuitarKitchen, syncopation is the idea of playing with the listener’s sense of the rhythm.
Everyone thinks of Scott Joplin and ragtime piano when they think of syncopation.
In the GuitarKitchen, syncopation is used more loosely, though it is basically derived from ragtime definition of syncopation.
Here it means any rhythm where the listener finds the accents of the rhythms to be placed in surprising places.
Some will think that the accents are probably going to be on the 1 and the 3.
Remember that in a lot of music, there are 4 beats per measure
| 1 2 3 4 | 1 2 3 4 |
Usually the accents are not on all four beats. For jazz and blues, it is the 2 and 4. We’ll use the chords above to practice the idea of syncopation.
Try playing the “Eastern European Folk Song” chords.
If you have trouble (with the chord changes) just play the e minor chord.
In order to practice this, use a metronome or some other beat keeper!
To accent a beat, just play louder on that beat. These exercises must been done with a metronome!
Kind of cool, huh! This may seem weird at first. It will really come back to help you later on for a few reasons. Just remember to use a metronome slowly! Check out the folk lessons on strumming for more ideas.
Remember : play slowly and in time!