Learn Jazz Guitar, Day 1, So What by Miles Davis

The harmony, melodies and solos of So What inhabit a well-loved spot in the hearts of jazz listeners and musicians since the late 1950s.

In this jazz guitar lesson, you will learn about the structure, chords, scales, form and some ways to practice this song.

Hint: Practice along with the recording!

Moreover, you’ll focus on the musicality of this beautiful groove and expand your feeling for playing music in this wonderful tradition.

Welcome!

We’re going to get familiar with one the most well-loved cool jazz tunes – So What – from the classic Miles Davis album Kind of Blue.

Basically there’s some one chord (in 2 keys) and one minor scale (in 2 keys to learn.

For this lesson, I would suggest focusing on:

  • Enjoying the learning process, while you’ll learn the basic concepts by reading this lesson, to actually really integrate them into one’s playing will be a lifelong process.
  • Focus on the learning the structure of the song!
  • Also, play along with the recording, both for enjoyment and while practicing!
  • Focus on staying relaxed and grooving!

Note: This is the first official lesson of the Beginner Jazz Guitar Course on GuitarKitchen!

Questions? Ideas!

If you have any questions, comments, ideas and/or suggestions, please leave a comment and/or send me a message!

Table of Contents

Structure/Form

The main lesson today – learn about form of the song.

It’s AABA.  

After the intro (0:00-0:31), the form (AABA) repeats through the rest of the song.

That means there’s an A section and a B section.  The A section is played twice, then the B section is played once and finally the A section is played again.

AABA

Every section consists of 8 bars or measures.  Each measure is 4 beats.

The entire form AABA is called “a chorus” or “the form”. The form continually cycles throughout the song.

After the intro, this form continues throughout the song.

The form (AABA) starts at about 0:33 on the recording.

Check it out!

Miles Davis - So What (Official Audio)

So What Song Form

So check this out, this is the basic structure of the entire song So What:

  1. Intro – Played for a little over 30 seconds.
  2. Melody – played on bass – takes 1 chorus (AABA)
  3. SolosMiles, Coltrane, Cannonball, Bill Evans
  4. Melody – played on bass – Paul Chambers, the bassist actually starts the melody on the 2nd A at the end of the song. But the AABA form continues throughout the song – in other words he doesn’t skip the first A when playing the melody.
  5. Ending – fading away while continuing to play melody.
Song PartApproximate Starting TimeStructure# of Choruses
Intro0:00Intro Structure and chordsIntro form – not the AABA form of the rest of the song.
Melody0:32AABA1 chorus
Miles’ Solo1:32AABA2 choruses
Coltrane’s Solo3:25AABA2 choruses
Cannonball’s Solo5:16AABA2 choruses
Bill Evans’s Solo7:05AABA1 chorus
Vamp8:01AABAJust the first A section
Melody8:14AABA2nd A, then BA – keeping the form
Outro8:58AABA (?)The first 2 A sections of melody, fade out
Table showing the different parts of the classic recorded version of So What from Kind of Blue. Shows how # of choruses for each solo.

Except in the Intro (0:00-0:32), the entire song keeps the same form, AABA.  

Here’s the AABA form broken down:

  1. A section – 8 bars – D minor
  2. A section – 8 bars – D minor
  3. B section – 8 bars – Eb minor
  4. A section – 8 bars – D minor
SectionAABA
ChordD minorD minorEb MinorD minor
Table showing the form of So What (AABA). The A Section is D minor, the B Section is Eb minor.

Why Learn Jazz Guitar from the Record?

Learning from the classic recordings (in any style of music) opens the student’s ears to amazing artistry of great musicians.

It’s (generally-speaking) a unique opportunity to learn directly from some of the most profound and impactful musical ideas and performances, as recorded and played by some of the greatest musicians who have lived throughout the eras of recorded music!

While there are many ways to learn music,

Learning from the greats via their recordings (and via sheet music for older music) presents an amazing (and challenging!) way to learn about:

Music, technique, composition, musicality, groove, etc, etc, etc!

Learning from the Greats - Musical Ideas, Time and Groove, Cultivate the Ear, Structure and Timing, Chops with Musicality

Beginning Jazz Guitar Video Lesson, So What, Part 1

Beginning Jazz Guitar, Lesson 1, Learning So What

Scales for So What

The entire melody of So What fits in 2 major scales – the C Major Scale and Db Major Scale, or more accurately the D & Eb Dorian minor scale.

SectionAABA
ChordD minorD minorEb MinorD minor
Dorian Minor ScaleD DorianD DorianEb DorianD Dorian
Corresponding Major ScaleC MajorC majorDb MajorC Major
Table showing the form of So What (AABA). The A Section is D minor, the B Section is Eb minor.

C & Db Major Scales

Major Scale Pattern Diagram for Guitar

This is the form for the scale taught in the video today.  

The red dot on the 6th string is at the 8th fret to play C major and at the 9th fret to play Db major. 

C Major Scale that corresponds to the Scale Pattern Diagram shown above. The Root (‘C’) are on 6th string, 8th fret – 4th string, 10 fret – 1st string, 8th fret.
Db Major Scale that corresponds to the Scale Pattern Diagram shown above. The Root (‘Db’) are on 6th string, 9th fret – 4th string, 11th fret – 1st string, 9th fret.

D & Eb Dorian Minor

Dorian Minor Scale Pattern Diagram for Guitar

It’s the same form as the major scale diagram (shown above), but here’s the scale pattern that I was showing you in the video for D Dorian Minor and Eb Dorian Minor.

The red dot is the root of the scale.

For D Dorian Minor, the 4th finger would be at the 12th fret, 6th string. Eb Dorian Minor – 4th finger at 13th fret, 6th string.

D Dorian Minor Scale that corresponds to the Scale Pattern Diagram shown above. The Root (‘D’) are on 6th string, 10th fret – 3rd string, 7th fret – 1st string, 10th fret.
Eb Dorian Minor Scale that corresponds to the Scale Pattern Diagram shown above. The Roots (‘Eb’) are on 6th string, 11th fret – 3rd string, 8th fret – 1st string, 11th fret.

Chords

Minor 7th

The root is on the 1st string, so D minor 7th would be on the 10th fret and Eb minor 7th would be on the 11th fret.

Minor 7th

Root is on 5th string. So D minor 7th would be on the 5th fret. And Eb minor 7th would be on the 6th fret.

Minor 11th

Root is on 5th string. So D minor 7th would be on the 5th fret. And Eb minor 7th would be on the 6th fret.

Great ways to learn music - learn from the greats, practice makes progress, play what you sing, sing what you play, enjoy the musical journey!
All the best! And hope you enjoy your musical journeys!

How to Practice Chords and the Dorian Scale with the So What Recording

Miles Davis - So What (Official Audio)

Jazz Guitar Exercise #1 – Practicing the Chords with the Music

Beginning Jazz Guitar, Lesson 1, Learning So What
  1. Check out the video above – Beginning Jazz Guitar Video Lesson, So What, Part 1 – Exercise #1 starts at about (7:15)
  2. Pick one of the chord forms – the minor 11th or one of the minor 7th chords.
  3. Play the chord on ‘1’ of every other measure
  4. Keep the form (AABA)!
    • So for the A Section play D minor, then for the B Section, play Eb minor.
  5. Work on playing through the song like this!

Exercise #2 – Learning the Dorian Scale with the Recording

  1. Now play the recording and pick out a few notes from the corresponding Dorian Scale – for now, just try to play a few notes from the Dorian Minor Scale Pattern Diagram for Guitar (found above).
    1. So for the A Section play D minor, then for the B Section, play Eb minor.

Exercise #3 – Ear Training – Pick out a few notes from the melody and Miles’ solo

Turn the recording back on. And just have fun picking out a few notes from the melody (0:32) and the solos (1:31) – especially Miles Davis’ solo!

Just remember:

  1. For the A Section play D minor, then for the B Section, play Eb minor.

Practice Makes Progress!

from https://wyntonmarsalis.org/news/entry/wynton-marsalis-12-tips-on-how-to-practice-for-musicians-athletes-anyone - 1. seek instruction 2. write out a schedule 3. set goals 4. concentrate 5. relax & practice slowly 6. practice hard things longer 7. practice with expression 8. learn from your mistakes 9. don’t show off 10. think for yourself 11. be optimistic 12. look for connections
from Wynton Marsalis

Leave a Reply