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Jazz Guitar Ideas – Count Out Loud – Improve Time and Groove !

Learning to Count Out Loud will Drastically Improve Your Groove, Time and Musicianship!

You’ll connect different parts of your brain and really helps you work on the fundamental aspects of time and groove.

Here’s a great way how for jazz guitarists – practice with greats!

IMHO

Hey everyone!

Here’s some ideas I have learned (and am still learning) about how to play music – specifically jazz guitar! Please let me know if you have any comments, questions, etc!

Please check out some other ideas about time, groove, practicing, etc:

Jazz Guitar Ideas - How to Improve Time (and Groove) for Jazz Guitar - Count Out Loud!

This video shows some ideas about how to practice chords and improv while counting beats and bars out loud! I’m just playing 12-bar F blues to demo.

  1. Count beats “1, 2, 3, 4”
  2. Count beats and bars “1, 2, 3, 4, 2, 2, 3, 4, 3, 2, 3, 4, 4, 2, 3, 4
  3. Count while playing 1 chord per measure
  4. Count while while playing quarter-note comping
  5. Count while doing Charleston/NOLA comping
  6. Count while comping more modern style
  7. Count while soloing
  8. Count while mixing solos and comping.

Remember:

  • Try counting out loud with the guitar and without the guitar!
  • Try counting while playing chords, and while muting the strings
  • Try counting while playing just one note or while playing a chord.
  • Try counting just beats and also beats&bars!
  • Try with and without a metronome!
  • Try it with a recording!

Table of Contents

Great ways to learn music - learn from the greats, practice makes progress, play what you sing, sing what you play, enjoy the musical journey!

Intro Practices/Exercise to Counting Out Loud

The above video may not have included some preliminary exercises that you may to try out.

Let’s use this song/album to practice along to. It’s Oscar Peterson playing Count Basie. The play a slow jazz blues in C.

We used in the track in Practicing Jazz Groove (Slow C Blues with Oscar & Count Basie). It’s a great recording, with a solid beat, that’s not too slow or fast. It would just loop it.

Oscar Peterson & Count Basie - Slow Blues
Learning from the Greats - Musical Ideas, Time and Groove, Cultivate the Ear, Structure and Timing, Chops with Musicality

Intro. Count along to the music without playing guitar.

I would suggest starting out trying counting quarter notes along to the track before you try with your guitar. You can either say the numbers or a syllable.

First, count out loud along to the recording (or metronome) without your guitar.

Count “1”, “2”, “3”, “4”.

Or say a syllable with the quarter note pulse, like “da“.

  • So, say out loud, “One, Two, Three, Four“.
  • You start out saying a syllable instead if you want like, “Da, Da, Da, Da“.

Of course, you don’t have to use this track – you could use a metronome instead. It’s worth checking out both a recording at a good solid, medium-slow tempo as well as a metronome.

If you use a metronome – set it to comfortable tempo. Maybe start somewhere between 60-85 bpm.

Detailed Explanation of Counting Out Loud Exercises (Using a C Jazz Blues)

Count beats “1, 2, 3, 4”

Now Count Out Loud with the Recording or Metronome while strumming Muted Strings.

No do the same counting exercise you did above, but with your guitar – muting the strings.

Try either/both the numbers or a syllable, like “da”

  • So, say out loud, “One, Two, Three, Four“.
  • You start out saying a syllable instead if you want like, “da, da, da, da“.
Showing a diagram of how to count out loud with muted strings
Diagram of practicing counting outloud. Say either the numbers and/or a syllable. Use a great recording with solid tempo and/or a metronome.

Congratulations!

By Practicing Counting Out Loud, You’ve Took a Great Step to Improve Your Time and Musicianship!

All the following exercises are gravy!

Here’s the form for the blues from the Oscar Peterson and Count Basie Slow Blues video shown above. You don’t have to use this track, but imho it’s a great track to practice along to.

While you count out loud, keep track of where you are in the form.

Do this with and without your guitar

Showing a diagram of how to count out loud with muted strings a long to a C Jazz Blues
Counting BEATS along to a C Jazz Blues.
You can substitute the numbers “ONE”, “TWO”, “THREE”, “FOUR” with a syllable like “DA”.

Count beats and measure/bars “1, 2, 3, 4, 2, 2, 3, 4, 3, 2, 3, 4, 4, 2, 3, 4

So, here’s a chart of a jazz blues progression in C showing how you could count count out loud with the chords.

If a number has 2 syllables (like EIGH-T, ELE-VEN TWEL-EVE). Skip the 2nd syllable, or swing the syllable on the “and” of the beat!

Showing a diagram of how to count out beats and bars along to a C Jazz Blues
Counting BEATS and BARS/MEASURES along to a C Jazz blues.

Count while playing 1 chord per measure

So far we’ve:

  • Counted Out loud to the recording (1,2,3,4, 1,2,3,4) and/or metronome
    • and/or used a syllable for the beat (like “da”)
  • Counted outloud to the recording while strumming muted strings (1,2,3,4, 1,2,3,4) and/or metronome
    • and/or used a syllable for the beat (like “da”)
  • Counted out loud to the recording – counting beats and measure/bars (1,2,3,4, 2,2,3,4, 3,2,3,4, 4,2,3,4, etc)
  • Counted out loud to the recording – counting beats and measure/bars (1,2,3,4, 2,2,3,4, 3,2,3,4, 4,2,3,4, etc) while playing with muted strings

Now we count out loud (with or without with the bars/measures) and play the chord on the first beat of the measure.

Focus on the time and counting, then getting the chords right.

If you “miss” the chord, just skip it and keep counting.

If you seem to be missing a lot of chords, slow down the tempo!

Showing a diagram of how to count out beats and bars along to a C Jazz Blues

Focus on the time and counting, then getting the chords right.

If you “miss” the chord, just skip it and keep counting.

If you seem to be missing a lot of chords, slow down the tempo!

Congrats on making so far! You’ve learned a lot – if you keep this up for different songs and pieces you play, (imho) you’ll improve your groove and musicianship!

Count while while playing quarter-note comping

So counting the beats (1, 2, 3, 4) out loud (with and without counting the bars/measures) while playing quarter-note comping is the next step!

Please check out Playing 4 on the Floor! (Classic Jazz Guitar Groove) to learn more about the beauty of quarter note comping and why (imho) it’s such a big part of building a good foundation for jazz guitar playing!

Showing a diagram of how to count out beats and bars along to a C Jazz Blues

Count while doing Charleston/NOLA comping

So do what we’ve done with the previous exercise (quarter note comping) while counting.

Now try it with a different set of grooves. The Charleston and the Tresillo – the tresillo (when swung) is played in a lot of music from New Orleans.

Please check out Learning Second Line (for Guitarists)! to learn more about the second line. Also, please check out How to Play Salsa Guitar! to learn about the tresillo as well (and how it relates to other elements of groove)

The Charleston

The Charleston. Groove - Count ONE 2 AND 3 4. Accents on ONE and the "and" of TWO.

The Tresillo!

This shows the tresillo groove - on the 1, 2&, 4 of every measure. Great groove found in many types of music, either swung or straight eighths.

I am going to leave the explanations for now. I will get back to this soon!

Count while comping more modern style

So, (in terms of comping) you’ve practiced:

  • On the first beat of each measure
  • Quarter Note comping
  • The Charleston
  • The Tresillo aka (when swung) 2nd Line

Now, let’s start mixing it up AND adding some more elements of what we would call “modern” jazz guitar comping.

  1. To start out, just play sparsely while counting beats AND bars/measures!
  2. At this point, you don’t have to count out loud all the time, experiment with counting out loud 50% of the time, 70%, 25% of the time, etc
  3. Still focus on groove while counting.
  4. Try mixing up the comping feels
    1. For example – do a chorus (chorus of the blues = 12 bars) with quarter note comping
    2. Then more “modern”, sparser comping
    3. Then NOLA style
    4. etc

Count while soloing

Welcome to the “next level”!

If you’ve completed the other exercises (but please keep working on them for different songs/styles, etc), then check this out!

Count of loud beats AND bars while soloing!

  • Play really sparsely at first
  • Make sure you focus first on the counting and the form!
  • Be patient – this will probably take some weeks/months to really start getting the hang of!
  • Try repetitive phrases – something simple every 2 or 4 bars!

Count while mixing solos and comping.

You can mix up just playing solos with playing solos and comping!

  • Remember to focus on counting out loud!
  • Trade Fours (Bars/Measures) with yourself 🙂
    • Play your solos – say 4 bars
    • Then comp – 4 bars
    • Since the blues is 12 bars, every chorus will “flip” which comes first – the solos or comping
  • Trade Choruses (12 bars for most blues forms) with yourself
    • Play a chorus solo
    • Comp a chorus
  • Remember to count!
  • You can try to doing this with melodies, too!

Video Explaining Counting Out Loud by Adam Neely

Check out Adam Neely’s video about counting out-loud, too!

How to improve your rhythm

Special thanks to kordi_vahle for the beautiful photo of the beach!

https://pixabay.com/users/kordi_vahle-4934524

Practice Makes Progress!

from https://wyntonmarsalis.org/news/entry/wynton-marsalis-12-tips-on-how-to-practice-for-musicians-athletes-anyone - 1. seek instruction 2. write out a schedule 3. set goals 4. concentrate 5. relax & practice slowly 6. practice hard things longer 7. practice with expression 8. learn from your mistakes 9. don’t show off 10. think for yourself 11. be optimistic 12. look for connections
from Wynton Marsalis

Check out Douglas Niedt’s Article about Counting Out Loud

Douglas Niedt wrote a very good and thorough article about how to count out loud as a way to improve groove and timing.

The topic this month is an element of basic musicianship. It is especially important for the beginning and intermediate guitarist.

In fact, this skill will improve your guitar playing more than anything else you can do. Read on.

Douglas Niedt in Counting Out Loud

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