. | 1 | + | 2 | + | 3 | + | 4 | + | 1 | + | 2 | + | 3 | + | 4 | + |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
CLAVE | X | X | X | X | X | |||||||||||
Montuno Pattern | x | x | x | x | x | x | x | x | x | |||||||
Chord | a | d | E | d | ||||||||||||
. | 1 | + | 2 | + | 3 | + | 4 | + | 1 | + | 2 | + | 3 | + | 4 | + |
Here’s a diagram that shows the clave in the red tao sign and tumbao in orange.
. | 1 | + | 2 | + | 3 | + | 4 | + | 1 | + | 2 | + | 3 | + | 4 | + |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
CLAVE | X | X | X | X | X | |||||||||||
TUMBAO | T | T | T | T |
Basically part of the tumbao on the 2+ will play a D, on the first 4, it will anticipate the E major chord by playing an E and the second 4 it will anticipate the A minor chord by playing an A.
Please check out the scores below to see what I am talking about!
Here’s all three parts together, the montuno in green, the clave in red and the tumbao in see-through orange!
. | 1 | + | 2 | + | 3 | + | 4 | + | 1 | + | 2 | + | 3 | + | 4 | + |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
CLAVE | X | X | X | X | X | |||||||||||
TUMBAO | T | T | T | T | ||||||||||||
Montuno Pattern | x | x | x | x | x | x | x | x | x | |||||||
Chord | a | d | E | d | ||||||||||||
. | 1 | + | 2 | + | 3 | + | 4 | + | 1 | + | 2 | + | 3 | + | 4 | + |
Here’s a pretty rough demo of playing a salsa tumbao (bass line) and a montuno at the same time (on guitar). It’s pretty fun play once you get the hang of it.
I will be writing a lesson about this soon (2020 edit: I wrote it! Please keep reading!).
Please check out the other salsa guitar lesson, too! I talks about clave and tumbao, too!
While you won’t be playing the tresillo pattern with these examples, I think it’s good to keep in mind when tumbao (IMHO). It’s basically tumbao with the ‘1‘ added to each measure.
. | 1 | + | 2 | + | 3 | + | 4 | + | 1 | + | 2 | + | 3 | + | 4 | + |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
TRESILLO | T | T | T | T | T | T | ||||||||||
TUMBAO | T | T | T | T | ||||||||||||
CLAVE | C | C | C | C | C | |||||||||||
. | 1 | + | 2 | + | 3 | + | 4 | + | 1 | + | 2 | + | 3 | + | 4 | + |
For more info on salsa guitar, please check out the How to Play Salsa Guitar lesson as well. Best wishes!
Check out the written version here on Noteflight. You can also play along here with the midi file.
Here’s another lesson I added to teach more about tumbao and montunos together on guitar. The principles talked about above still work here. The chords are different: E major, A major, B major, A major.
Practice Slow to Learn Fast!
Here some practice tracks that are pretty slow, so you can practice the tumbao and the montunos each on its own and together!
All the best and reminder (to you and myself), just be patient, focus on the groove and the cumulative practice will help you see some decent progress!
I try to practice a few things every day!
I find some fun practice routines that I can do in 5 minutes.
That way I know I’ll almost always have time to practice. All those little practice session do add up, if you’re willing to be patient. Here’s one way you could practice these montuno & tumbao for a 5 minute practice session:
Practice Time | Practice Routine | Reason |
---|---|---|
2 minutes | Practice Tumbao (with click or clave) | Most important part – try to work on feel and groove |
2 minutes | Practice Montuno (with click or clave) | This is the fun part, but the tumbao is really what makes the beat, the montuno is more like a counter-rhythm to the clave and tumbao. |
2 minute | Try combing the 2 (with click or clave) | This is what we think the end goal is, but really it’s getting the tumbao solid, and then adding the montuno when we want to … |
2-4 minutes | Record Tumbao with click or clave | Check out the lesson on making your backing tracks. This will really help out in the long run. You can do all sorts of stuff once you record one part. You can play all sorts of other parts over it – the montuno, the clave, solos, melodies, etc. |
There’s actually research now saying that for most people, they learn best in up 20 minute blocks.
You’ll retain more of what you’ve learned by shorter, but more frequent practices.
You don’t have to practice 3x a day for 20 minutes, but I try to practice 1x a day for at least 5 minutes. I’ll usually end up practicing longer anyways. And a little bit of daily practice is where it’s at!
Focus on just a little bit of daily practice – you’ll accomplish more and develop a better practice habit!
I need to find the other article about practicing every 6 hours for 20 minutes, but check out this article at JazzAdvice – it basically says – try to practice just a few minutes a day.
Discipline For Musicians at JazzAdvice
It’s Not What You Gain.
It’s What You Retain.
Harold Mabern via JazzAdvice.com
All the best to everyone and safe and beautiful travels on your musical journeys and adventures!
pdf2jpg.net for converting the Tumbao and Montuno sheet music to an image. And for planting trees! It’s something that can make a difference!
4 replies on “Playing Tumbao and Montunos Together, Fingerstyle Salsa Guitar Studies/Lessons”
Excelente aporte a la cultura musical.
Gracias, Danilo!
I am so happy that I found this blog!
Thanks Yvette and best wishes with music and everything!