Melodic Minor Scales | Shapes, Patterns & Theory

Table of Contents

What is the Melodic Minor Scale?

The melodic minor scale is a minor scale – it has a minor third, and a perfect fifth.

The melodic minor scale is the same as the major scale, but with a minor third.

Unlike the natural minor scale, the melodic minor scale contains a major 6th and a major 7th.

The popular/jazz version of the C melodic minor scale – just using the ascending portion.

Please check below to learn about the difference between the pop/jazz melodic minor and the traditional/classical melodic minor.
Scale Degree12345678
C melodic minorCDEbFGABC
Numeric Interval12 b345678
Table showing how a pop/jazz melodic minor scale is created. Shows a C melodic minor scale.

The Classical/Traditional and the Jazz/Pop Melodic Minor

In the traditional/classical melodic minor, the ascending scale has a Major 6th (M6) and a Major 7th (M7). The descending scale has a minor 7th (m7 or b7) and a minor 6th (m6 or b6).

In the traditional C melodic minor, ascending scale is – Major 6th = A and the Major 7th = B. Descending it’s minor 7th = Bb and minor 6th = Ab.
In the pop/jazz melodic minor, the both the ascending and descending scales have a Major 6th (M6) and a Major 7th (M7).

In the pop/jazz C melodic minor, ascending and descending scales are – Major 6th = A and the Major 7th = B.

Traditionally the melodic minor scale ascends with a major 6th and a major 7th.

But it descends with a minor 7th and a minor 6th.

Traditionally, the descending melodic minor is the same as the natural minor scale.

This traditional style of melodic minor can be found in classical music.

In pop and jazz music, musicians play the melodic minor with the ascending portion of the melodic minor scale (M6, M7) for both the ascending and descending portions of the scale.

How Pop/Jazz, Traditional/Classical Melodic Minors and Natural Minor Scales Relate

Ascending Melodic Minor12b345678
Descending Melodic Minor12b345b6b78
Natural (Aeolian) Minor12b345b6b78
C Ascending Melodic MinorCDEbFGABC
C Descending Melodic MinorCDEbFGAbBbC
C Natural (Aeolian) MinorCDEbFGAbBbC
How a major scale and a traditional/classical melodic minor scale relate. How to create a melodic minor scale from a major scale. Using C major and C traditional/classical melodic minor as an example.

This article deals mostly with the pop/jazz version of the melodic minor scale.

This is the melodic minor scale built on just the ascending version of melodic minor.

If you’re interested in checking out some beautiful baroque music using the traditional melodic minor scale:

Two Easy Ways to Create Melodic Minor Scales

How to Create a Melodic Minor Scale from a Major Scale

Take a major scale and change the major third to a minor third.

Major Scale12345678
Melodic Minor12b345678
C major scaleCDEFGABC
C melodic minorCDEbFGABC
How a major scale and a melodic minor scale relate. How to create a melodic minor scale from a major scale. Using C major and C melodic minor as an example.

Major Scale Fretboard Diagrams for Guitar

How to Create a Melodic Minor Scale from a Natural Minor Scale

Take a natural minor scale and raise the 6th and 7th degrees.

Natural Minor Scale12b345b6b78
Melodic Minor12b345678
C natural minor scaleCDEbFGAbBbC
C melodic minorCDEbFGABC
How a natural minor scale and a melodic relate. How to create a melodic minor scale from a major scale. Using C natural minor and C melodic minor as an example.

Musicality Tip for Scales

This has helped me a lot – I believe it could help you, too!

If the scale you are practicing is in your vocal range (fairly comfortable to hum/sing), try singing the scale as you practice it.

You don’t have to sing all the time, but try it sometimes – it can really improve your memory, ear and learning!

Guitar Fretboard Melodic Minor Scale Patterns

Full Moveable Melodic Minor Scale Fretboard Diagram

Full fretboard diagram of the melodic minor scale. The red dots are the roots of the scale.

Melodic Minor Scale Shapes – Fretboard Diagrams

Melodic Minor Fretboard Shapes – 6th String Root

Melodic Minor Guitar Diagram - root is on 6th string, 1st finger. Relative TAB - 6th string first: 1,3,4;1,3,5;2,3,5;1,3,5;1,3,5;1,3,4
Melodic Minor Scale Diagram, 6th string, 1st finger root. Light blue square is an alternate way to play the same note as found on the 3rd string.
Melodic Minor Guitar Diagram - root is on 6th string, 2nd finger. Relative TAB - 6th string first: 1,2,4;0,2,4;1,3,4;1,2,4;0,2,4;1,2,4
Melodic Minor Scale Diagram, 6th string, 2nd finger root
Melodic Minor Guitar Diagram - root is on 6th string, 4th finger. Relative TAB - 6th string first: 1,3,4;1,2,4;1,3;1,3,4;,2,4;1,3,4
Melodic Minor Scale Diagram, 6th string, 4th finger root

Melodic Minor Fretboard Shapes – 5th String Root

Melodic Minor Guitar Diagram - root is on 5th string, 1st finger. Relative TAB - 6th string first: 1,3,5;1,3,4;1,3,5;2,3,5;1,2,4;1,3,5
Melodic Minor Scale Diagram, 5th string, 1st finger root
Melodic Minor Guitar Diagram - root is on 5th string, 2nd finger. Relative TAB - 6th string first: 0,2,4;1,2,4;0,2,4;1,3,4;0,2,3;0,2,4
Melodic Minor Scale Diagram, 5th string, 2nd finger root
Melodic Minor Guitar Diagram - root is on 5th string, 4th finger. Relative TAB - 6th string first: 1,3,5;2,4,5;2,3,5;2,4;2,3,5;1,35
Melodic Minor Scale Diagram, 5th string, 4th finger root

Guitar Fretboard Note Locator

How to Use the Fretboard Note Table to Find the Key of a Melodic Minor Scale on the Fretboard Diagram

  1. Determine what key for the melodic minor scale.
  2. For example, say you want to play in a G melodic minor scale.
  3. Look for the note G on the table below.
  4. You find 6th string, 3rd fret as one instance of G.
  5. Look above, to the moveable fretboard melodic minor scale diagram.
  6. Find a red note (the “root” note of the melodic minor scale) on the 6th string.
  7. Now orient your scale patterns so that triangle is on the 6th string, 3rd fret of your guitar!
  8. Enjoy!
  9. Try singing/humming along to help get the notes/melodies of the scales in your ears.

Guitar Fretboard Note Locator Table (up to the 15th fret)

Fret #E,
6th
String
A,
5th
String
D,
4th
String
G,
3rd
String
B,
2nd
String
E,
1st
String
0EADGBE
1FA#/BbD#/EbG#/AbCF
2F#/GbBEAC#/DbF#/Gb
3GCFA#/BbDG
4G#/AbC#/DbF#/GbBD#/EbG#/Ab
5ADGCEA
6A#/BbD#/EbG#/AbC#/DbFA#/Bb
7BEADF#/GbB
8CFA#/BbD#/EbGC
9C#/DbF#/GbBEG#/AbC#/Db
10DGCFAD
11D#/EbG#/AbC#/DbF#/GbA#/BbD#/Eb
12EADGBE
13FA#/BbD#/EbG#/AbCF
14F#/GbBEAC#/DbF#/Gb
15GCFA#/BbDG
FretsE,
6th
String
A,
5th
String
D,
4th
String
G,
3rd
String
B,
2nd
String
E,
1st
String

Melodic Minor and Jazz Guitar

Great ways to learn music - learn from the greats, practice makes progress, play what you sing, sing what you play, enjoy the musical journey!

Every style of music is beautiful – but melodic minor holds a special place in a lot of jazz musicians hearts!

Two Main Reasons why Jazz Loves Melodic Minor

  1. The altered scale aka the super locrian scale aka the 7th mode of melodic minor.
  2. Because jazz musicians love to play a major 6th note over minor chords! Melodic minor and Dorian minor are the 2 main scales in jazz that contain the major 6th. Natural minor and harmonic minor have minor 6ths (b6, flatted 6th)

Super Locrian aka the Altered Scale

The mode from the 7th degree of the melodic minor is called super-locrian! You may recall that the mode based on the 7th degree of the major scale is called locrian.

Melodic Minor12b345678
Super Locrian712b34567
C Melodic MinorCDEbFGABC
B Super LocrianBCDEbFGAB
How a melodic minor scale and a super locrian scale relate. Example using a C Melodic Minor scale and its 7th mode, a B Super Locrian scale.

The Super-Locrian Mode is the Altered Scale!

Jazz musicians love playing altered notes. This is why jazz musicians love melodic minor – because they play the altered scale and therefore the melodic minor.

There’s many altered notes – but the altered scale aka super locrian contains basically all of them:

  • b9
  • #9
  • #4/b5 – the blue note
  • b6/b13
  • b7/#13
Super Locrian1b2b3b4b5b6b78
B Super LocrianBCDEbFGAB
Altered notes of a
super locrian
1b9#9M3#4/b5b6/b13b7/#138
The scale tones of a Super Locrian scale/mode. Example shows B Super Locrian. Notice all the flatted/sharped scale tones – these are all altered notes.

The super locrian scale contains a b9, #9, major 3rd, #4/b5 aka tritone aka blue note, b6 aka b13, b7 aka #13.

How Super Locrian and Locrian Relate

Remember that the melodic minor scale and the major scale share almost all the same scale tones – except for the the third scale tone. Melodic minor has a minor third and the major scale has a major third.

Major Scale12345678
Melodic Minor12b345678
C major scaleCDEFGABC
C melodic minorCDEbFGABC
How a major scale and a melodic minor scale relate. Example shows a C major and C melodic minor.

So, in similar fashion, the locrian and super-locrian modes share all the same notes, except for one – the 6th. The locrian has a Major 6th, and the Super-Locrian has a minor 6th.

Locrian1b2b34b5b6b78
Super Locrian1b2b3M3/b4b5b6b78
B LocrianBCDEFGAB
B Super LocrianBCDEbFGAB
How a locrian scale and a super locrian scale relate. Example shows a B locrian and B super locrian.

Color Visualization of a C Melodic Minor Scale

This isn’t based on a scientific relationship between the wave lengths of different color and tones.

It’s rather a color visualization, somewhat arbitrarily based on the painter’s color wheel.

Just for music theory fun!

I do hope to create a color visualization that’s more accurate, in terms of actually numbers that may correspond between sound and light. Here’s what I have so far.

Show the notes of a c melodic minor scale (C,D,Eb,F,G,A,B,C) with a color corresponding to the notes as a visualization
C melodic minor scale as a colorized visualization

Here’s the corresponding color wheel I used to create the visualization of the above C melodic minor scale!

Shows the color wheel with primary, secondary, tertiary colors, and relates it to the 12 tone Western scale. This is non-scientific, more of a visualization.

The Melodic Minor – 6/8 Clave Connection!

This is pretty cool! It doesn’t necessarily have any deeper meaning (though it may!) – but it’s a cool and fun way to relate scales to rhythm and clave!

The traditional/classical melodic minor is almost the same as the 6/8 clave!

There’s more than one 6/8 clave – but I’m just using one type here.

What is a 6/8 Clave?

The 6/8 clave is believed to originate from traditional West African music.

There are different 6/8 claves, but this is a common 6/8 clave.

Diagram of the 6/8 Clave- Rhythm is in 6/8 = |CxCxCC|xCxCxC|
6/8 Clave

In Cuba and other places in the Caribbean and the Americas, these 6/8 claves became adapted to music in 4/4, so a lot of the music in 4 uses a modified version of the 6/8 clave.

Some examples – the Brasilian Bossa Nova Clave. And the Son Clave and the Rumba Clave. The Son Clave and the Rumba Clave are used in many musical styles, the most popular “genre” is commonly referred to as salsa.

3-2 Son Clave

How the 6/8 Clave and a 4/4 Clave relate!

For exampe, can you kind of see how the 6/8 Clave sort of looks the same as the 3-2 Son Clave?

3-2 Son Clave
Diagram of the 6/8 Clave- Rhythm is in 6/8 = |CxCxCC|xCxCxC|
6/8 Clave

Converting a Scale to a Rhythmic Phrase

  • There 12 half-steps in a Western scales
  • Therefore intervals of any Western scale add up to 12 half-steps
  • For each interval (usually a half-step or whole-step) we can (for fun!) correspond it to a rhythm.
    • A half-step is an eighth-note (1/8)
    • A whole-step is a quarter note (2/8 = 1/4)
  • Since there are 12 eighth-notes in a converted scale, we can express this as 2 bars of 6/8 or 1 bar of 12/8.
  • Then we just write out the rhythm of the converted scale and see what is sounds like!

Converting Melodic Minor Scales to 12/8 Rhythms

Ascending Melodic Minor12b345678
Descending Melodic Minor12b345b6b78
C Ascending Melodic MinorCDEbFGABC
C Descending Melodic MinorCDEbFGAbBbC
C Ascending Melodic Minor – IntervalsWHWWWWH
Number of half-steps (Ascending)2122221
Corresponding Rhythm in 6/8 (ascending)2/81/82/82/82/82/81/8
C Descending Melodic Minor – IntervalsWHWWHWW
Number of half-steps (Descending)2122122
Corresponding Rhythm in 6/8 (descending)2/81/82/82/81/82/82/8
Diagram showing one way to convert the intervals of a melodic minor scale into 12/8 rhythmic phrases.
Diagram showing how if you converted the pop/jazz melodic minor to a rhythm using the scale steps of 2 and 1 half steps are either a 1/4 or 1/8 rhythm.

The rhythm is very much like a 6/8 clave!

Line 1 shows the scale. Line 2 shows the conversion of the scale to rhythm. Line 3 shows a 6/8 clave.
Diagram showing the conversion of the traditional/classical melodic minor to a rhythm using the scale steps of 2 and 1 half steps as either a 1/4 (=2/8) or 1/8 rhythm.

The rhythm is almost the same as a 6/8 clave!

Line 1 shows the scale. Line 2 shows the conversion of the scale to rhythm. Line 3 shows a 6/8 clave.

Practice Makes Progress!

Best wishes to everyone!

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